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These drawings, like the art of ancient cultures, featured semi-human monsters, sharply horned masks, and dagger-like tongues, often shifting into different forms and surrounded by patterns or shapes. Krasner was often considered to teach her husband in the dominant tenets of modernistic painting. Number 17A No. Reynolds News in a headline stated: In response to this pressure his alcoholism deepened. The contrast between the man and the Pollock painting, along with the construction of the scene, seems to emphasize the disparity between the comparatively unrecognizable Jackson Pollock style and traditional figure and landscape based art styles, as well as the monumental changes in the cultural sense of aesthetics brought on by the modern art movement.